Tomiko Jones

  • Art
    • The Intimate Infinite: ON VIEW NOW
    • Land & Sustenance: ON VIEW NOW
    • These Grand Places (2017-present)
    • These Grand Places: Field Notes (2017-present)
    • Hatsubon (2015–2019)
    • Imprints and Other Stories (2017–present)
    • Rattlesnake Lake (2000–2013)
    • Near and Far (2008–2013)
    • A Place to Rest (2009–2020)
    • Passage (1989–2010)
    • Waterlines with Jonathan Marquis (2017)
    • Canal, environmental video installation (2014)
    • Uncovering the West Tributary, environmental video installation (2014)
    • Draw Forth, Cast Aside, video installation (2008)
  • Statements
  • About
  • Newsletter
  • Hatsubon statement
    • The Intimate Infinite: ON VIEW NOW
    • Land & Sustenance: ON VIEW NOW
    • These Grand Places (2017-present)
    • These Grand Places: Field Notes (2017-present)
    • Hatsubon (2015–2019)
    • Imprints and Other Stories (2017–present)
    • Rattlesnake Lake (2000–2013)
    • Near and Far (2008–2013)
    • A Place to Rest (2009–2020)
    • Passage (1989–2010)
    • Waterlines with Jonathan Marquis (2017)
    • Canal, environmental video installation (2014)
    • Uncovering the West Tributary, environmental video installation (2014)
    • Draw Forth, Cast Aside, video installation (2008)
  • Statements
  • About
  • Newsletter
  • Hatsubon statement

A few installation images from Hatsubon: Passage /November 14, 2016 by Tomiko Jones

Hatsubon: Passage | 2016
← The Long Night's Moon: a winter update Hatsubon: Passage opens November 3rd, Kipp Gallery →

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tomiko(at)tomikojonesphoto.com