Tomiko Jones

  • Art
    • The Intimate Infinite: recent mid-Career solo
    • Land & Sustenance: RECENT GROUP EXHIBITION
    • These Grand Places (2017-present)
    • These Grand Places: Field Notes (2017-present)
    • Hatsubon (2015–2019)
    • Imprints and Other Stories (2017–present)
    • Rattlesnake Lake (2000–2013)
    • Near and Far (2008–2013)
    • A Place to Rest (2009–2020)
    • Passage (1989–2010)
    • Waterlines with Jonathan Marquis (2017)
    • Canal, environmental video installation (2014)
    • Uncovering the West Tributary, environmental video installation (2014)
    • Draw Forth, Cast Aside, video installation (2008)
  • Statements
  • About
  • Newsletter
  • Hatsubon statement
    • The Intimate Infinite: recent mid-Career solo
    • Land & Sustenance: RECENT GROUP EXHIBITION
    • These Grand Places (2017-present)
    • These Grand Places: Field Notes (2017-present)
    • Hatsubon (2015–2019)
    • Imprints and Other Stories (2017–present)
    • Rattlesnake Lake (2000–2013)
    • Near and Far (2008–2013)
    • A Place to Rest (2009–2020)
    • Passage (1989–2010)
    • Waterlines with Jonathan Marquis (2017)
    • Canal, environmental video installation (2014)
    • Uncovering the West Tributary, environmental video installation (2014)
    • Draw Forth, Cast Aside, video installation (2008)
  • Statements
  • About
  • Newsletter
  • Hatsubon statement
 
IT'S NEGATIVE
IT'S NEGATIVE

MiM Gallery, LA

10 April-29 May 2021

LAND, WATER, SKY
LAND, WATER, SKY

Conversation: Land, Water, Sky - Photographers Address the Environment on Earth Day 2021

22 April 2021 4pm EST

FIELD NOTES
FIELD NOTES

18 February

…as I near the wall, I begin to follow a path of peanut shells, wondering who ate them and discarded the shells, a contractor, an asylum seeker, a border patrol agent…

 

tomiko(at)tomikojonesphoto.com